Chapter 16 | Page 7a: The Ballad of Spider Mackenzie

Transcript

Evil Inc, March 11, 2025

Panel 1

(Matt the Henchman and Angus the Minotaur are sitting at a bar. Angus is holding a phone, while matt has a drink in front of him. Angus' phone buzzes with a "boop boop" sound.)

Angus: "ACH! I'm sorry, mate! Duty calls! I'm workin' a gig with The Lethal Librarian!"

Panel 2

Matt (narration panel): "You got picked by the Dewey Decimator?! I'm jealous! I love her tagline!"

Lethal Librarian (a stylish woman with green glasses, a green blazer, and a stern expression, stands pointing.): "You're OVERDUE!"

Panel 3

Angus: "Between you and me, I actually picked her!"
Matt (excitedly): "Geez Louise! How many henches get to pick their own assignments?!"

Panel 4

(Angus smirks while Matt looks on, intrigued.)

Angus: "Only two henches have top-level clearance to access the Master Job Board at Evil Inc...
Angus: "Me, and Spider Mackenzie."

Off-panel voice: "Spider Mackenzie?! He died in that Land Piranha Incident!"

Panel 5

(Matt leans in, skeptical.)

Angus: "Are you sure?!"

Panel 6

(A skeleton, covered in small green piranha-like creatures, sits eerily still.)

Spider: "Oh, I'm certain."

Black Freighter Redux

Tales of the Black Freighter Redux

This belongs directly under the heading of “Why didn’t I think of that?”

[ComicBookResources] “The kid reading the pirate comic at the newsstand” is one of Dave Gibbons’ most famous images from “Watchmen,” yet the “Tales of the Black Freighter” portions themselves are rarely discussed. Naturally, due to Moore’s scheme of juxtaposing only short passages against the larger story of “Watchmen,” the pirate tale is generally thought of as a powerful narrative device; a comic-within-a-comic, but not really a remarkable story in its own right.

Well, just when you thought there was nothing left to say about “Watchmen,” … Oakland, California’s Steven Johnson … excavated and reassembled all that exists of Alan Moore and Dave Gibbons’ “Tales Of The Black Freighter: Marooned” into a complete and uninterrupted narrative on the Web.
Read more.

Johnson’s work can be read here. He imagines how that story would have been told in its entirely. He uses only the relevent panels from “Watchmen” — with the non-relevant dialogue removed. Said Johnson, “”Dave Gibbons did spectacular work and I can’t even begin to guess what he’d put in the ‘missing’ panels.” Those panels are blank with text only.

I don’t know writer Alan Moore’s reaction, but Dave Gibbons wrote Johnson to say “nice work.”

Indeed.