Chapter 17 | Page 2b: The Ol’ Battle Ax

Posted on December 11, 2025 by Brad Guigar

The #GuigarChristmasCountdown Rolls On

Every day until Christmas, I’m releasing a brand-new holiday single-panel gag — and this year’s batch has already included:

  • Overworked elves

  • Malfunctioning snowmen

  • Questionable reindeer behavior

  • And Santas who are absolutely phoning it in

Next week’s cartoons keep the absurdity rolling. If you’re counting down to Christmas with me… buckle up. We’re not even halfway to the weirdest ones. Catch them on Bluesky, Patreon chat, or the Evil Inc Subreddit.

TRANSCRIPT

Panel 1 (Later)
Hailey: “Come on, Rose! This is a big opportunity for me! Just tell me what Cap’s ‘usual’ is!”

Panel 2
Rose (from inside the storage closet): “Fine. He loves chicken soup — extra crackers — and a tall lemonade.”

Panel 3
Rose: “Say… do you think you could open the door now? There’s not much air in here.”

Panel 4
Hailey: “If you look in the corner, you’ll see an old battle ax.”

Panel 5
Hailey: “There’s no battle ax in— Oh.”

Panel 6
SFX: KRAKK

Panel 7
Rose (calmly): “Thank you!”

William Moulton Marston

Posted on August 24, 2006 by Brad Guigar

Wonder Woman creator William Moulton Marston


Remember when I complained that a story about the history of Wonder Woman in the The Philadelphia Daily News lacked any mention of the pervading themes of bondage?

Check out this fascinating piece by Charles Lyons, contributing writer for ComicBookResources:

She wasn’t jettisoned from a doomed planet, she didn’t witness the brutal murder of her parents, and she was never injected with radioactive venom, but the true story of Wonder Woman’s origin is one of the strangest and most fascinating of any superhero…

…Wonder Woman’s creator was William Moulton Marston, a Harvard-educated psychologist, lawyer and provocateur who invented a precursor of the modern polygraph (the likely inspiration for Wonder Woman’s lie-detecting lasso)…

As he told interviewer Olive Richard in the August 14, 1942 “Family Circle,” “Wonder Woman satisfies the subconscious, elaborately disguised desire of males to be mastered by a woman who loves them.”

But Marston was intent on more than merely fulfilling the fantasies of his male readers. In a letter to comics historian Coulton Waugh, he wrote, “Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.” Marston believed that submission to “loving authority” was the key to overcoming mankind’s violent urges, and that strong, self-realized women were the hope for a better future. Wonder Woman was very consciously Marston’s means of spreading these notions to impressionable young minds.

With this unusual brand of feminism as his stated aim, Marston filled his stories with bondage (both male and female), spanking, sorority initiation rituals, cross-dressing, infantilism, and playful domination. Armies of slave girls were everywhere, and hardly an issue went by without a full-body panel of Wonder Woman bound from head to toe. In “Sensation Comics” #35 (November 1944) Wonder Woman even lets slip that rope bondage was a popular pastime back home.

Read more.

The excerpts don’t do it justice. This is one engaging, well-written piece on a fascinating subject.