Chapter 16 | Page 2b: Advance notice

Catnip is miffed that she’s going to lose her commission due to Cassie Cruz’s new policy. To make matters worse, the superheroes seem to have had advance notice on a number of Evil Inc schemes. Evil Inc has a mole. But who…?

Transcript

Evil Inc – January 30, 2025
by Brad J. Guigar

Panel 1:
(Setting: The Evil Inc breakroom where several villains are gathered. Catnip, a blonde woman in a blue catsuit, stands with her hands on her hips. Miss Match, a red-haired woman in red and orange, is making coffee; Lightning Lady, a blonde in a blue costume; Desdemona, a red-skinned woman in a black and red outfit; Giant Tess, a woman in a green and orange suit; and Count Spurlock, a green-skinned man in a vest.)

Catnip: "Think about it! To be inside the building, Captain Heroic had to know about the Mime’s plans in advance!"

Lightning Lady: "That’s odd. When Dreadshade cracked the safe at Fairmount Bank, he got glitter-bombed!"

Count Spurlock: "I saw. The guy looked like he went down on Shirley Eaton.*"

Caption (bottom): "*You’ve got Google. Look it up."

Panel 2:
Catnip: "And don’t forget what happened when Dr. Patchwork heisted that shipment of arms…"

(Dr. Patchwork stands in front of a group of zombie henchmen with no arms. He opens a crate of weapons.)

Dr. Patchwork: "Damn it! These are just guns!"

Panel 3:
(Catnip raises a finger, looking serious.)

Catnip: "Face it. Someone is leaking information about our clients’ schemes to the superheroes."

Panel 4:
(A flashback scene shows Cassie Cruz, a brunette in glasses and a white blouse, packing up her office at the “Silver Agency,” a superhero placement agency that is now closed.)

Narration box: "And it’s been happening ever since 'Little Miss Silver Agency' took over."

Panel 5:
(Catnip clenches her fist, her expression determined.)

Catnip: "The answer is clear… WE NEED TO GET RID OF CASSIE CRUZ."

Oh... and this is Shirley Eaton.

Comic Con International 2006 Report, Part Three

Comic Con International 2006 Report, Part ThreeThe Wyndham at Emerald Plaza

The Wyndham was a very nice hotel, excpet for the fact that they actually charged me $30 for the three boxes I had shipped to myself at the hotel. I asked why and they told my it was for storing the books. At ten bucks a book, I saked the guy at the front desk if my boxes had been given a private room. He was stonefaced. Must have heard that one before.

I’ve been travelling for comic conventions since 2000 and this was a first for me. But it was late and I didn’t feel like hassling the poor bellman. I gave the kid $30 plus a 20% tip. When I went to check out Monday, they actually tried to charge me for the boxes again! I told them that I wasn’t thrilled with paying it once and I wasn’t about to pay for it again. After a long, stern conversation, I would up getting screwed by the Wyndham only once — instead of the intended twice.

The panel

I wasn’t prepared for the crowds Friday. We opted for the shuttle from the hotel on the first morning and quickly realized that we could have walked it more quickly. As it was, we barely made it to the convention center in time for the BLC panel discussion, which was the first of the morning Friday.

For the rest of BLC, this was their first opportunity to meet Paul Taylor. After a quick round of handshakes and introductions, we lept to the stage and kicked off the discussion. Steve Troop had painstakingly prepared one of his QuickCasts to open the presentation.

After that, we launched headlong into an invigorating discussion of business models for independent cartoonists who use the Web as a primary delivery system. A key point: Webcomics are dead. If you’re going to succeed as a cartoonist, you have to think of yourself as the whole package — including not just the Web, but books, self-syndication, magazine reprint, etc.

The subscription model was hotly debated once more. From our standpoint, we’d love to see the subscription model work. But the fact is, it just doesn’t. You can compare webcomics to cable TV… or pay-per-play videogames… or satellite radio… or any of the dozens of other entertainment entities that survive on the subscription model, but the truth of the matter is readers just aren’t willing to subscribe to a daily comic.

Yours Truly went on one of his very familiar rants when the excuse of the “starving college student” was used as an excuse not to support one’s favorite webcomic. My response, in summary was, (a) I reject that most college students don’t have disposible income (and so does Anheuser-Busch, incidentally) and (b) No one will ever force you to support a cartoonist by buying a book or T-shirt, making a donation, etc…. but you forfeit your right to complain when said cartoonist finally moves on to more lucritive work and leaves the comic you love behind. ‘Nuff said. 🙂

There were no Big Announcements and we’ve no plans to add members at this time. That’s just not who we are. We’re a co-op of independent cartoonists who are helping one another succeed in their businesses. The purpose of our panel was to share what we learned in our first year. Oh, and have a ridiculous amount of fun in the process.

From everything I gathered, we succeeded on all counts. 🙂