Picking up a princess

The time is NOW

This is the BEST time to pledge to my Patreon page. Why? Because you’ll get a bunch of rewards without waiting all month for them! You’ll get your monthly reward package on Monday!

So, here’s the deal. I've been posting, on average, more than one post a day for over two years. That's more than 3,000 posts, including 900+ NSFW comics, illustrations and bonuses. And you have access to that as soon as you pledge.


I send my backers links to entire folders full of the NSFW content — broken down by category — as soon as the payments are processed in the first couple days of each month. One folder has all of the Evil Inc After Dark pages, in order. Another folder has all of the NSFW commissions. Another has all of the Courting Disaster comics, and so forth.

It’s a snazzy reading experience, and it’s a great way to view only the material you’re in the mood for.

If you pledge before the end of the month, however, you’re not going to have to wait long at all to get access to these categorized folders of NSFW goodness! I’ll be distributing those as soon as the payments are processed.

And in those few days in between, you can still access all of the exclusive content by using the content tags to filter only the stuff you want to read right now! AND you can access the special Patreon-only areas of this site — like eiad.evil-inc.com and commissions.evil-inc.com!

There’s a lot to see —more than 900 NSFW comics, cartoons, illustrations and illustrated stories!

Look for the Silver Lining

I just caught a hilarious movie on iFilm.com! It’s called Tim Warner: A Life In The Clouds. Its a comedy about a bad cartoonist who does a lame daily comic strip. (think Ziggy, Garfield, etc…). When his comic is taken out of the paper and replaced by a more “edgier” political strip (think Mallard Fillmore, Boondocks, etc) the two cartoonist must battle it out!

It’s a little long at 36 minutes, but it’s well worth the time. If you’ve ever winced at hokey comics like Marmaduke and Ziggy, you’re going to love this. It was clearly made by people who love comic strips. These guys nailed it. I’m telling you, I laughed out loud.

And they even got Berke Breathed to do a cameo.

The movie itself has a Web site, that’s worth checking out as well.

[Edit: The movie has some profanity. Also, I’m told that FilmThreat gave it a bad review. Boo on you, FilmThreat, I say boo on you!]

The Future of the American Comic Strip

The LA Times has an excellent story about the future of the comic strip, as seen by the likes of Berke Breathed, Cathy Guisewite, and Wiley Miller. They are appearing at a panel discussion in LA on Sunday.

I can’t say it better than Mr. Breathed: “ ‘I don’t think you’ll ever see another ‘Calvin & Hobbes,’ ‘Bloom County’ or ‘Doonesbury’ again,’ says Breathed, 48, who received the Pulitzer Prize for editorial cartooning in 1987. ‘The popularity of those strips was built on a young audience great comic strips are not built on the backs of aging readers.’

“Part of the problem, Breathed and other cartoonists say, is that newspapers, when choosing their comic strip lineup, put too much emphasis on the opinions of aging readers. As a result, stalwart strips such as ‘Peanuts,’ which continues to run as a reprint since the death of Charles M. Schulz in 2000, and ‘Blondie,’ which was created in 1930 by Chic Young, tend to remain entrenched on comics pages.

“As middle-of-the-road as ‘Blondie’ is, it’s surprising to learn that it has come to represent a divisive topic in the comic strip community. Young passed away in 1973, and since then ‘Blondie’ has been carried on by his son, Dean, and is known as an example of a ‘legacy’ strip.

“‘As an art form, comics are threatened by legacy strips,’ Breathed says. ‘The fact that papers are running [legacy strips] throughout the country is a sign that they’re desperate to cling to the readers they think they need, and they’re afraid to take risks and find the new talent.’

To complete the vicious cycle, syndicates gauge the timidity of newspaper editors, and as a result, choose only the blandest offerings to syndicate.

That means even the bravest newspaper editor has a watered-down selection to choose from if he or she actually wants to find some new talent for the comics page.

In response, Denise Joyce, president of the American Association of Sunday and Feature Editors, “says that while comics are not the huge player they used to be 20 or 30 years ago, they are definitely on the minds of features editors.”

“Regarding legacy strips, Joyce admits it’s difficult to replace them without making their fans angry. As a compromise, Joyce says her paper is running some comics online and Web-linking to others.

Of course, once their newspaper readers discover comics published on the Web, they’re bound to discover a much wider world of comics that aren’t available in their newspapers, aren’t they? Comics that are neither watered-down nor timid.

So, in a way, people like me are indebted to the myopia of people like Ms. Joyce.

You keep sending them, Ms. Joyce, and I’ll keep keeping them.

Read the whole story.

Plastic Man cancelled

DC is ending the Plastic Man title, written and illustrated by Kyle Baker, with issue 20. I have mixed emotions about this. Plas is my favorite super-hero. Numero Uno. I agree with Batman’s assertion that he is the one of the most powerful beings in the DC universe (if not the most powerful).

And the most poorly handed character in modern comics. Bar none.

I was overjoyed to see Plas get his own title. I was even prepared to give the overly cartoony approach a fair shot. I devoured the first three issues. But each issue after that seemed more phoned-in than that. It’s not that I have a problem with digital art — far from it — but I can only stomache so many cloned images in a product like this.

And before you misinterpret that, let me make it clear, I’m not slamming digital artists, but the difference between Baker’s work in Plastic Man and, say, Greg Dean’s work in Real Life is tremendous. Dean uses his computer to push boundaries. Baker used his to push deadlines.

It was this kind of lack of effort that lead to the demise of the title. And that’s a real shame. It’s a shame because Ty Templeton, a writer who really gets Plas, as evidenced in 1999’s JLA Presents Plastic Man, could have made that title soar. Go to your comic shop’s quarter bins and check it out. Look at the gorgeous illustrations by Aaron Lopresti and Richard Pace. No copy-and-paste crap here, fanboys and fangirls… these guys made the effort.

These guys love Plastic Man the way I love Plastic Man.

And it’s a crying freaking shame that they never got the chance to take the reigns of the title as it became evident that Baker had long since lost interest.